Posts tagged ‘kwani’
To commemorate 20 years of democracy and post-apartheid South Africa, Blankets & Wine in collaboration with the South African High Commission in Kenya present to you a special edition of Blankets & Wine on Sunday, 7th September 2014 dubbed Karibu Mzansi.
Date: September 7, 2014
Venue: at the Carnivore Gardens
Time: from 1pm – 10pm
Tickets: KES 2000 at the Gate
Celebrate this milestone with South Africa as you listen to funky tunes from: Vereso Andrew Wambua, Antoneosoul and Dela.
South African foods and wines will also be on sale
The headline artist for this event will be DJ Cleo of the smash hit single Facebook. DJ Cleo is brought to Blankets courtesy of the South African High Commission in Kenya.
Other events will be the DJ Stage with house guru Jack Rooster and the Caffe Mocha crew, Writer’s Stage curated by Kwani? And B&W Film Stage curated by PAWA 254.
Date: Saturday, 28 June 2014
Venue: Louis Leakey Auditorium, Nairobi National Museum
Time: 5pm – 9pm
Entry: Prior Reservation.
The killings in Mpeketoni on 15 and 16 June are the latest in a series of violent events that are challenging the security of Kenya and the East Africa region more broadly. The words ‘terrorism’, ‘assassinations’, ‘tribal clashes’, ‘violent crime’, ‘domestic violence’ regularly appear in mainstream and social media headlines. Traumatic pictures of the aftermath fill the newspapers and TV screens. Kenya is no stranger to violent conflict, as the 2008 post-election violence attests to, but some analysts see the current resurgence as something new. There is no shortage of views on the causes of the current insecurity. Some blame external threats, religious ideology, identity, resource competition, youth unemployment, marginalisation, political intrigue, corruption and inefficiency of the security services. Others point to a failure of collective responsibility.
In the latest in a series of conversations with well-known writers, Kwani Trust, in partnership with the Rift Valley Institute’s Nairobi Forum, have invited a panel of writers to discuss these pressing matters. The writers include:
NoViolet Bulawayo, Writer
Parselelo Kantai, Writer
Rashid Abdi, Journalist
Billy Kahora, Writer and Kwani? managing editor
This conversation follows a session at 5pm at the same venue titled, Meet the Writers, featuring the three shortlisted writers of the Etisalat Prize for Literature, Africa’s most prestigious literary prize: NoViolet Bulawayo (Zimbabwe), Yewande Omotoso (Nigeria/South Africa) and Karen Jennings (South Africa).
Kwani? Litfest full program
2012 Kwani? Litfest: Conversations with Writers and Artists from The Horn
The fourth edition of our biennial gathering of writers, poets, literary academics and theorists from the continent kicks off between 9th – 16th December, 2012. Titled Conversations With The Horn: Writers, Artists In Exchange, this year’s festival will host Somali poet Hadraawi, Sudanese-English novelist Jamal Mahjoub & Eritrean writer and historian Alemsegad Tefsayi to share their work with writers from other parts of the continent. These include Egyptian writer and activist Nawal El Sadaawi & Nigerian and Ghanaian novelists, Helon Habila and Kojo Laing. They will also be joined by writers from Mozambique, Namibia, and Cameroon.
Following different themes over the years at the Kwani? Litfest, this is the first time that we have invited a combination of different writers from the Horn to be part of a celebration of literature and its role in our lives. Recent developments in the region have created points of convergence that warrant intra-continental literary, artistic and intellectual conversations. To begin with, new writing has emerged in places where little writing at least in Anglophone Africa had been seen in the mainstream and hence Egypt, Nigeria, Ghana, Kenya and South Africa are not the only players in a global republic of letters. Some of the most recent exciting contemporary African Literature has come from the so-called countries of the Horn by writers such as Meaza Mengiste, Dinaw Mengestu, Nadifa Mohamed, Abraham Verghese, Abdulrahman Waberi & Sulaiman Addonia. These follow in the rich literary traditions set by Nuruddin Farah, Tayeb Salih and many others.
With Southern Sudan as Africa’s latest nation, the emergence of Ethiopia as a new African economic force, the gradual stabilization of Somalia and the emergence of its resulting Diasporas, new expressions and narratives can challenge the ubiquitous narrative of political crisis. Such narratives, usually driven by outsiders, have been given prominence that mask numerous other layered realities otherwise taking place in the same areas. Writers and cultural commentators from these regions are increasingly becoming prominent in producing new narratives and ideas about their homelands. We hope that this edition of the Litfest provides a platform for the sharing of ideas through lectures, panel discussions and readings. That it can be a site of debate and discussion by writers, academics and literary enthusiasts on how literature, art and culture is related to the layered realities in the countries of the Horn now and in a glorious past.
The very fact that thousands of Sudanese, Ethiopians, Eritreans, and citizens of Somalia through migration and spill-over from conflict in these regions have seeped into Kenya’s national and especially urban psyches tells us that societal relationships have emerged that are complex and fluid. That, in truth, Kenya is as much part of the East African Community as what is known as The Horn of Africa. We recognize the differences, commonalities, and imaginaries between our societies and those of the Horn. We feel that these need to be discussed through the lens of art, literature and culture, and welcome you to the 2012 edition of the Kwani? Litfest.
Content- Juliani, Gado, and Billy Kahora Meets Tech- ICT Board, Digital Divide Data (DDD) and Jimmy Gitonga.
Three months ago, Kwani Trust commissioned Digital Divide Data (DDD) to digitise some of its content as part of a pilot to see what possibilities lie in the content Kwani? has produced since its founding in 2003, and how new online and digital technologies could be utilised. This new Kwani? ebook platform is the first step in developing structures and networks through which Kwani?’s content can be disseminated to earn our published writers a much wider readership, and increase the scope of the Trusts reach and income.
We have been keenly following recent developments in the sector. From our observations, we feel that technology is driving many societal changes in the ways different players in the content-technology chain create, disseminate, receive, consume and perceive content and information. Content providers in the arts, culture and public media, like Kwani Trust and Buni Media, are entering these spaces with renewed energy. Online technologies like social media now take up huge market sectors in the consumption of content.
Our experience with the Kwani? ebook platforms has posed four distinct challenges.
– Though research in both content creation and online technologies is being commissioned and carried out, there is still a lot of work to be done on how the two sectors might complement each other optimally. In the build-up to launching the Kwani? ebook platform, we found little comprehensive local research on basic conceptual questions. How can the content and technology sectors work to facilitate research that is mutually beneficial?
– High quality content in arts, culture and public media is a specialised sector that is mostly donor-funded while most of the exciting work being done on online and mobile platforms is commercially driven. Collaboration between the two sectors requires significant paradigm shifts for both. How can non-profit content providers rethink their institutional models to take up the commercial opportunities that the new technologies promise?
– Traditional content providers have created loyal audiences and markets from offline products. New technologies promise new audiences, markets and possibilities. How can the two sectors work together to take advantage of these layered existing outlets?
– Traditional content providers have created legal frameworks for their institutional requirements over a period of time. New legal and contractual challenges have emerged with online and mobile content provision possibilities. How can the two sectors work together to ensure a stable legal framework for optimal collaboration?
Kwani Trust will hold an event in which content providers in the arts, culture and public media sector and online, mobile and new technology sector can discuss the issues outlined above.
For more information: https://www.facebook.com/events/281433275295312/