Posts tagged ‘Ethiopia’
The Nile Project is an exceptional cross-cultural collaboration, its members hailing from all along the great river that connects eleven countries and over 400 million people, from its sources beyond Lake Victoria to its delta in Egypt. Through its innovative musical process that allows its artists to leverage each other’s strengths, the project unearths unique sound representative of the Nile watershed as a whole.
Musicians include: Claude Ciza (Burundi), Ahmed Omar (Eritrea), Endalekachew Niguse, Roza Kifle,Dawit Seyoum Estifanos (Ethiopia), Mohamed Kamal, Adel Mekha, Saleeb Lowza, Nader El Shaer (Egypt), Rapasa Nyatrapasa, Kasiva Mutua (Kenya), Asia Madani (Sudan) and Msafiri Zawose (Tanzania).
Kampala Contemporary Art Festival, Oct. 4-31 2014 @ Kampala Railway Station & 28 Locations Across the City
Dates: 4th – 31st October 2014
Venue: Kampala Railway Station & 28 Locations Across the City
For the month of October, thirty artists from Uganda, Ethiopia, Tanzania, Kenya, Congo and Rwanda will unveil
new artworks across Kampala.
The festival will see the reopening of Kampala’s Railway Station to the public for an exhibition that will feature the work of ten artists, showcasing their interpretation of the “Unmapped”.
“The bicycle knife sharpener; the express fashion designer; the mobile nail salon: they fill every corner of the city. ‘Unmapped’ will attempt to artistically showcase how people from every stratum of society adapt creatively to survive” Violet Nantume, Curatorial Committee, KLA ART 014
Five Ugandan curators, working with renowned South African curator Gabi Ngcobo, have selected the artists, who include Helen Nabukenya; a visual artist from Uganda who uses discarded fabric to create vast tapestries depicting the overlooked, the forgotten and the rejected. From Kenya, Dennis Muraguri explores the matatu; presenting it, not only as a transport tool, but also as a space for intriguing gossip and communication.
Reaching out directly to the public, twenty boda bodas (motorcycle taxis) will be turned into artworks, ‘mapping’ Kampala, by forming temporary exhibition spaces in pre–‐‑selected locations across the capital. Ugandan artist Kizito Mbuga will transform a boda boda into a travelling cinema; whilst Ogwang Jimmy John will turn another into an interactive recording studio, which maps the ‘unheard’ musicians of the city. The mobile exhibition will attract new audiences from every corner of Kampala, from the iconic Independence Monument to bustling Ggaba market on the shores of Lake Victoria.
“Building on the success of the festival in 2012, KLA ART 014 offers a platform to showcase new and emerging ideas by contemporary Ugandan artists. KLA ART is a two–‐‑year process of thought, production and experimentation resulting in a unique festival, which directly links artists, artworks and audiences” Rocca Gutteridge, Project Director, KLA ART 014
“Umeme has partnered with KLA ART 014 to celebrate and support art as a driver of community togetherness, self-development and cultural diversity” Core Supporting Partner, Umeme (Energy distribution company, Uganda)
For more information visit http://klaart.org/
The exhibition features 25 artists from 6 countries: Kenya, Tanzania, Uganda, Sudan, Rwanda and Ethiopia.
Artists Showing: Dawit Abebe. Cloudy Chatanda, Eltayeb Dawelbait, Kebreab Demeke, Salah Elmur, Tamrat Gezagegn, Wanja Kimani, Ehoodi Kichapi, Otieno Kota, Mbuthia Maina, Vita Malulu, Sidney Mang’ong’o, Henry Mzili Mujunga, Patrick Mulondo, Ulindula Mwakisopile, Ian Mwesiga, Paul Ndema, Eria ‘Sane’ Nsubuga, Michael Soi, Ephrem Solomon, Nadir Tharani and John Taouss Tuyisabe.
All works for this exhibition were carefully selected by Circle’s curator, Danda Jaroljmek with support from Circle Art Agency’s wide-reaching network including: 32º East, Kampala; Nafasi Art Space, Dar es Salaam; Wanja Kimani and Karen Obling in Addis Ababa and Salah Elmur in Khartoum.
For More info visit http://www.circleartagency.com/exhibitions/
2nd Nairobi Cultural Festival: Different Colours One People – Visit Emb. Of Mexico Stand, May 10 2014 @ National Museum
This will be the Second Nairobi Cultural Festival in which the following countries alongside Mexico will showcase their cultural expressions and sell typical food and drinks: Switzerland, Germany, Finland, Mexico, Indonesia, Thailand, Philippines, Japan, Botswana, Ethiopia, Somalia and Kenya.
There will also be a Children’s Corner, where for a small fee kids can have tattoos and face painting done, do their own paintings and play under supervision.
Date: Saturday May 10, 2014
Venue: National Museum Grounds
The event starts at 10 am and goes up to 5 pm.
Entrance is free.
Day of Cultural Expression is organised by the Research Institute of Swahili Studies of Eastern Africa (RISSEA) that is part of the National Museums of Kenya.
Exhibition Dates: Monday to Friday, December 16-20 2013, January 2-10 2014,
Time: 1 to 6 pm
Témoin/Witness is an exhibition initiated by the Goethe- Institut South Africa and curator Simon Njami; co-curated by Sammy Baloji and Monique Pelser. It showcases the works of photographers who were involved in a Photographers’ Portfolio Meeting over a span of three years. The aim was to present their work within the portfolio reviews to several curators to gain critical feedback. The photographers included Sammy Baloji (DRC), Calvin Dondo (Zimbabwe), Sabelo Mlangeni (South Africa), Abraham Oghobase (Nigeria), Monique Pelser (South Africa) and Michael Tsegaye (Ethiopia).
The exhibition speaks about the social issues, ever-changing past and present and inherited cultures across the African continent. It represents how this group of emerging photographers perform the role of onlookers, and actively survey their immedate environments. The works then become historical records and evidence reflecting the constantly shifting history, inherit cultures and social issues that span across the African continent.
About the Photographers
Sammy Baloji, born 1978 in Lubumbashi, D.R.C, lives and works in Lubumbashi and Brussels, Belgium.
“My work questions the still existing traces of colonization in Congolese society. In this approach, it expresses a desire to inform and rewrite a story from the present. A present aware of his past and ready to assume the future. My photographic work is between documentary and fiction. In this sense I need a context (the environment) to create my own story. To do this, I did some research on topics or events of the past and even on the present. I’m using pictures archives or even sound archives to create a new statement.”
Calvin Dondo, born 1963 in Harare, lives and works in Harare, Zimbabwe.
“I believe our work as an artist is to open doors, shed light and give new possibilities to, first, our immediate environment, and then, the world at large. Our visual statements provoke and shift societies understanding of the world. Whatever work I do I feel I am responsible to everyone around me.”
Sabelo Mlangeni, born 1980 in Driefontein, lives and works in Johannesburg, South Africa.
“My work challenges a viewer, like in this body of work ‘Country Girls’. In our society we are taught that a man should present himself in a certain way, seeing a man in a dress shifts the way we think and are taught to think. It is political and confronts issues of homophobia.”
Abraham Oghobase, born 1979 in Lagos, lives and works in Lagos, Nigeria.
“The social, political and economic situation of society plays a pivotal role in my work. I am interested in using photography to explore the way people live and how they are affected by the different systems that exist, and how conditions evolve to meet or take advantage of certain needs. For example, with this series ‘Jam I’ explore how rural-urban drift, among other things, has led to inflated rents in Lagos and congested living spaces. My exploration of identity through self-portraiture in Nigeria and abroad, for example, is often a function of how I am perceived as a photographer, an artist, a black male, a Nigerian, and so on, which in turn is based on social and cultural points of view that have their roots in history.”
Monique Pelser, born 1976 in Johannesburg, lives and works in Cape Town, South Africa.
“I try to use the camera and developing photographic technology as a way of re-looking at my country, the land, people and the objects or traces which were left behind and have become a historical burden. I feel that my generation and those that follow have inherited a lot to process. I try to use photography as dissonance, as a way to re-look and represent and process this history.”
Michael Tsegaye, born 1975 in Addis Ababa, lives and works in Addis Ababa, Ethiopia.
“In the past ten years, the city in which I live, Addis Ababa, and the rest of Ethiopia has gone through tremendous changes – both demographically as well as physically – with the construction of new buildings and the demolition of the old ones. The changes that modernity has brought about in the rural areas are also quite significant, as old cultural practices adopt certain aspects of new ones.”