Posts tagged ‘BIEA’
Panel Discussion: ‘Do they know it’s Christmas’ Really?! Philanthropy in a time of Ebola, Feb. 13 2015 @ BIEA
Panelists: Dr. Firoze Manji (Pan-African Baraza), Dr. Christine Sagini (Parliamentary Health Committee)
Moderator: Wangui Kimari (York University)
From the Live Aid concerts of the 1980s, and again last December, to Kony2012, large-scale aid media events and philanthropic practices and discourses have proved remarkably persistent features of global North-South relations, despite being subjected to repeated critiques from both ends of the political spectrum. For example, Bob Geldof and his colleagues, unrelenting in their production of “quick fix” mechanisms for Africa, have faced considerable criticism for the recent “Band Aid 30” song recorded and sold to raise money for international efforts to contain the recent Ebola outbreak in West Africa, echoing resounding criticisms of previous, similar initiatives more than two decades ago. His two word “fuck-off” message to recent criticisms illustrate the contradictions and conceit that lie behind these charities, which hark back to their genesis in the philanthropy of industrial, class and merchant Capital during the Victorian era, and appear in some respects to have endured largely unreformed since. Moreover, these aid-as-spectacle events occur concurrently and conflictingly within and alongside the effects of continuing and expanding structural inequalities and neoliberal policies, such as the Structural Adjustment Programmes (SAPs) of the 1990s, exploitative trade agreements and mineral extraction, and the militarization of the continent under the imprint of ‘security’ agendas, which emerge from the same global North-South dynamics as the new celebrity endorsed philanthropy. Enter Ebola. The recent announcement—met with relatively little fanfare on the continent—that the US would send troops to help stem the spread of Ebola, was also couched in terms of historical philanthropic practices and discourses that purport to bring “Christmas” goodwill to those in need, but in ways that arguably benefit the donor most, particularly long ailing rock stars, all the while reifying longstanding images of a savage and pathetic Africa.
Engaging with these events, our forum seeks to attend to the following questions: What imperial effects, international capital processes, stereotypes and local agency on the ground do such aid endeavours presuppose, entail, reveal, and disguise? How, and by which measure, ought we to evaluate the effectiveness, “good” or desirability of aid, particularly “celebrity aid”, this new philanthropy, as a mode of international engagement in Africa and beyond? What political opportunities for both would-be donors and recipients does this aid model, or even AID in general, open and foreclose, and at which scales, within which temporal horizons? What, then, is the way forward for “aid” on local, regional and international fronts?
Experiences of Somali Women in Civic and Political Engagement
Date: Friday 6 February 2015
Venue: Seminar Room, RVI Office
Location: Laikipia Road, Kileleshwa
Time: 2-5 pm
More information and registation: https://riftvalley.wufoo.eu/forms/somali-women-in-civic-political-engagement/
Seminar: Creative Tension? Administrative Justice vs Freedom to Govern in the UK, Jun. 11 2014 @ BIEA/IFRA
Creative Tension? Administrative Justice vs Freedom To Govern In The UK – By Professor Sir Jeffrey Jowell KCMG QC Director, Bingham Centre for the Rule of Law
Date: June 11, 2014
Entry: Prior Reservation [RSVP on firstname.lastname@example.org]
Sir Jeffrey Jowell QC is Professor of Law and was the Dean of UCL’s Faculty of Laws and Head of its Law Department between 1998-2000 and again from 1982-1989. From 1994 to 1999 he was Vice Provost of UCL. He was was knighted in 2011 (KCMG) for services to human rights, democracy and the rule of law in Europe.
The scope of Professor Jowell’s work includes judicial review, human rights and planning. He advises extensively on the drafting of national constitutions, the relationship between the UK and dependent territories, and the design and application of internal regulatory and Ombudsmen schemes. His authority as an academic commentator is reflected in many citations to his work in the judgements of courts in this country and abroad.
Panel discussion and journal special issue launch.
1. Jason Mosley (Research associate, African Studies Centre, University of Oxford, and managing editor, Journal of Eastern African Studies)
2. Phil Clark (Reader in comparative and international politics, SOAS, University of London)
3. Yolande Bouka (Researcher, Conflict Prevention and Risk Analysis Division, ISS Nairobi)
This panel discussion – which serves also as a launch of a special issue of the Journal of Eastern African Studies (JEAS) on the same topic – will debate the nature of Rwandan politics under the RPF and its impact on the post-genocide reconstruction process, regional relations and the well-being of everyday Rwandans.
For more information on the event, please click this link.
PS: Remember to RSVP by sending an email to email@example.com
BIEA Seminar: Rain, Power, Sovereignty & The Materiality Of Signs In Southern Zimbabwe, Apr. 16 2014 @ BIEA / IFRA
Rain, Power, Sovereignty and The Materiality Of Signs In Southern Zimbabwe
Date: Wednesday 16th April 2014
Venue: British Institute in Eastern Africa, Laikipia Road, Kileleshwa, Nairobi
Time: 11.00 am
Entry: Prior RSVP. For more information please contact firstname.lastname@example.org or call +254 735 260 004
Seminar by: Joost Fontein, University of Edinburgh
Chair: Sinoxolo Neo Musangi, British Institute in Eastern Africa
In 2010 a government meteorologist revealed that for much of the last decade, the Zimbabwean weather forecast had been censored on a daily basis by agents of the President’s Office. ‘This information’ he said ‘was seen as sensitive’. What this ‘sensitivity’ amounts to is the subject of this paper. It is hard to make sense of the government’s impulse to censor the weather forecast in the 2000s without reference to the localized re-configurations of authority over land and ‘re-making’ of the state that fast track land reform provoked. To the extent that fast track offered new opportunities for the realization of a diversity of localised aspirations and imagined futures that turned on access to land and fertile soils in divergent ways, the recurrent droughts and failing harvests of the early 2000s were politically significant because they called into question the legitimacy of land reform, and the broader ‘thirdchimurenga’ project constituted around it. But across Zimbabwe, and the region, rainfall and drought have long been measures of contested political legitimacy in more complex ways not limited to the politics of food, famine and agricultural production. In southern Zimbabwe, this is true not just for spirit mediums, chiefs and other ‘traditionalist’ authorities for whom rainmaking practices are well-established means of demonstrating ‘autochthony’, sovereignty and legitimacy, but also for war veterans, new farmers, government technocrats and others involved in land reform during the 2000s. This is what I examine here. Whilst I focus particularly on rainmaking practices, encounters with njuzu water spirits, and national biras that took place in the 2005-6 when research was carried out, the larger point I pursue is that water acts as an index of power – of the entangled but contested play of legitimacy and sovereignty – across many different registers of meaning and regimes of rule. In making this argument I engage with Keane (2003; 2005) and Engelke’s elaboration of Peirce’s theory of signs (1955), and build upon others (James 1972; Jedrej 1992) who have long argued that rainmaking ‘traditions’ across eastern, central and southern Africa are less a form of applied meteorology and more an idiom of politics and power, in order to argue that they are necessarily both at the same time.
The BIEA in Collaboration with The National Museums Of Kenya Joint Seminar: Digital Kitambo—Taking the Past into the Future at the National Museum with Dr. David K. Wright and Kristina Dziedzic Wright.
Chair: Dr. Edward Pollard, British Institute in Eastern Africa
Date: Thursday, 30 January 2014
Time: 02.00 pm
Venue: The National Museums of Kenya, Nairobi
Lake Turkana has long been recognized as a critical incubator of human cultural evolution. Although much attention has justifiably been placed on researching the nature of our early hominin ancestors, the region also hosts a rich record of fishing and early cattle herding cultures as well. Due to the long and storied traditions of archaeological research near Lake Turkana, a rich collection has been accumulated in the Nairobi National Museum. However, legacy archives need to be digitally curated and integrated into computer databases as the pace of archaeological research in Kenya accelerates. The “Digital Kitambo” project has begun developing an integrated archaeological database using early food producers of northern Kenya to develop the template for future digitization efforts within the museum. The project involves conversion of analogue collections into a relational database, photographing archaeological artifacts and creating 3-dimensional scans of selected artifacts. The Nairobi National Museum hosts one of the deepest records of the human past in the world, but will lead the way into the future in access and usability of collections databases.
Dr. David K. Wright
David K. Wright is Assistant Professor of African Archaeology in the Department of Archaeology and Art History at Seoul National University in South Korea. Dr. Wright is a geoarchaeologist with specialties in human-environment interactions, sedimentology, evolutionary archaeology and prehistoric African cultures. He has conducted research in eastern Africa and the American Midwest, Plains, and Southwest. He is co-PI on the Malawi Early and Middle Stone Age Project (MEMSAP) studying the behavioral transitions in hominids and early modern humans in northern Malawi. Dr. Wright also conducts research near Lake Turkana, Kenya and in the Mandera Mountains, Cameroon on human adaptations to Holocene environmental change and is the lead PI on a project in the middle Gila River Valley, Arizona called “The Archaeology of Dust.”
Kristina Dziedzic Wright
Kristina Dziedzic Wright teaches art history and writing at Seoul National University in South Korea, and works as a freelance curator. She is the author of Art, Culture, and Tourism on an Indian Ocean Island: An Ethnographic Study of Jua Kali Artists in Lamu, Kenya (2009) and recently co-curated the exhibit Sanaa ya Makaratasi (African Paper Art): Process, Substance and Environment at the Nairobi National Museum. Her academic research ranges from informal sector art and cultural commoditization in Africa to media art and the international biennale phenomenon. Over the last ten years, she has participated in a number of archival and digitization projects for the University of Illinois at Chicago, the Jane Addams Hull-House Museum and the Elgin Cultural Arts Commission in Illinois, USA
For more information please contact email@example.com or call +254 20 815 5186
Date: Friday September 13, 2013
Venue: British Institute in Eastern Africa, Laikipia Road, Kileleshwa
Time: 10.30 am
For more information and to RSVP please contact firstname.lastname@example.org or Sinoxolo Neo Musangi at email@example.com
There is an idealised model of (Black) femininity in post-apartheid South Africa.
On the surface, she embodies the transformational promise of a new South Africa: a radical departure from apartheid stereotypes, she is an articulate, independent, ambitious woman with increasing control over her public and financial life. However, closer analysis of this model femininity, “the new South African woman”, reveals much about the workings of white supremacist heteropatriachal capitalist control and policing of women in contemporary South Africa. Building on the illustration and analysis of this woman, the paper will make an argument for urgent need to amplify the place of renegades in post-apartheid South Africa, using a few examples, including those discussed in this book – A Renegade Called Simiphiwe.
Prof. Pumla Dineo Gqola is Associate Professor of African Literary and Gender studies at the University of the Witwatersrand. She is author of What is slavery to me? Postcolonial/Slave memory in post-apartheid South Africa (Wits Press, 2010) and A renegade called Simphiwe (MFBooks Joburg/Jacana, 2013).
Her research and teaching is on African feminisms and sexualities, slave memory in African and diasporic literatures and gendered Blackness. She is also editor of Regarding Winnie: feminism, race and nation in global representations of Winnie Madikizela Mandela (forthcoming with Cassava republic).
She holds MA degrees from the Universities of Cape Town (SA) and Warwick (UK) and a DPhil in Postcolonial Studies from the University of Munich, Germany.