Posts filed under ‘screenings’

Ciné-concert: ‘A Million Things | Rouch 100’ with Pedro Pinto & Tiago Corria-Paulo, Apr. 28 2017 @ Alliance Française Auditorium


Date: Friday, April 28, 2017
Venue: Alliance Française Auditorium
Time: 7.00pm
Tickets: 500/-

‘A Million Things | Rouch 100’ with Pedro Pinto & Tiago Corria-Paulo

About
On the occasion of the centenary of the birth of Jean Rouch, universally-acclaimed French filmmaker, anthropologist and explorer, Pedro Silva Pinto and Tiago Corria-Paulo, Mozambican musicians, present a cine-concert around the cinematographic works of Jean Rouch, the force behind the cinéma-vérité movement of the 20th century.

The point of departure of this audio and visual experience is footage from Jean Rouch’s ethnographic films. It is complemented by a researched musical narration by the two musicians that draws the viewer into an all immersive experience. The ciné-concert is a tribute to the visual anthropology of Africa documented by this respected filmmaker over a period of 50 years.

April 22, 2017 at 11:26 am Leave a comment

Ciné-café: Ethnographic Films — contrasting Jean Rouch’s pioneering work with Dennis Machio’s ethno-documentary, Apr. 26 2017 @ Alliance Francaise


Date: Wednesday,April 26, 2017
Venue: Alliance Française Terrace
Time: 7.00pm
Free Entry

Ethnographic Films: Past and Present Approaches – contrasting Jean Rouch’s pioneering work with Dennis Machio’s ethno-documentary

About
‘Screening of the anthropological classic ‘The Mad Masters’ (Les Maïtres Fous) by Jean Rouch and the ethno-documentary ‘Lukumbe’ by the Kenyan filmmaker Dennis Machio. By juxtaposing two ethnographic films, one from the mid-20th century and another from this decade, Chloé Josse Durand, researcher in social sciene and Deputy Director at the French Institute for Research in Africa, together with Dennis Machio, documenatary film maker and graduate of the Mohamed Amin Foundation Film School, will discuss the contrasting approaches to visual anthropology in two very different eras.

‘The Mad Masters’ is a controversial yet most widely celebrated work by the French filmmaker and anthropologist, Jean Rouch. The film documents the Ghanaian Hauka cult, whose members convened to enter a trance-like state and become possessed of the spirits of their colonial officials – the true ‘mad masters’ of the film’s title.

‘Lukembe’ (Knife) documents the traditional rite of passage from childhood to adulthood in the Bukusu community. The Bukusu is one of the sub-tribes of the Luhya community. The Bukusu’s circumcise their boys between the ages of 12 -16 in August every after 2 years.

April 22, 2017 at 11:22 am Leave a comment

Docubox Screening: An Insignificant Man, Mar. 29 2017 @ Pawa 254 Hub


Date: March 29, 2017
Venue: Pawa 254 Hub
Time: 6.30-9.30 pm
Entry: Free

Find more information, here

March 27, 2017 at 7:40 pm Leave a comment

Film Screening & Discussion: Tukae na Undungu, Mar. 18 2017 @ Louis Leakey Auditorium – National Museum


Date: March 18, 2017
Venue: Louis Leakey Auditorium, Nairobi National Museum
Time: 4 pm
Tickets: Guests KES 500, KMS Members KES 400 and Children/Students KES 200

Panelists: Prof. Karega Munene, Wambui Kamiru-Collymore and Lydia Nafula

March 14, 2017 at 10:56 am Leave a comment

Cinema Japan: The Face of Jizo, Feb. 18 2017 @ Japan Information & Culture Centre

cinema-japan-feb-18-2017
Date: Saturday, February 18, 2017
Venue: Japan Information & Culture Centre, Embassy of Japan, Mara Road, Upper Hill
Time: 2:00p.m. – Gates Open: 1:30p.m
Admission is free of charge and the movie screening is open to all film fans but prior registration is required

Synopsis
In Hiroshima in 1948, memories of the atomic bombing three years earlier are still fresh in the minds of the people. Mitsue (Miyazawa Rie) works at a library where she meets Mr. Kinoshita (Asano Tadanobu), a shy, young man researching the disaster. They grow close, and Mr. Kinoshita eventually asks for her hand in marriage. However, Mitsue is troubled by her memories of the bombing when she was unable to save her father, Takezo (Harada Yoshio), and her closest friends as well as the many others who lost their lives. She doubts whether she deserves to have survived. Then the spirit of her father appears before her, and asserts that she should be happy. Watching over her budding romance with Mr. Kinoshita, Takezo cajoles and encourages Mitsue into opening her heart again.

February 10, 2017 at 1:23 pm Leave a comment

Exhibition of Photography and Film: My Camera, My Life by Sir Mohinder Dhillon, Jan. 27 2017 @ BIEA – Laikipia Road

my-life-my-camera-poster
Date: January 27, 2017
Venue: BIEA, Laikipia Road
Time: 2-4 pm

About
On 27 January 2017, the Rift Valley Forum and the British Institute in Eastern Africa will host the launch of My Camera, My Life. In his autobiography, Mohinder revisits his records of events that shaped his career as well as Kenya’s history and beyond. He documents Kenya’s independence heroes and his close relationship with top African political leaders, including Kenya’s Mzee Jomo Kenyatta. The book also highlights his records of the 1980s famines in Ethiopia, Karamoja in Uganda and Turkana in Kenya.

The Forum will host an accompanying exhibition of photographs and documentary films shot by Sir Mohinder between 1952 to 2008.

Copies of the autobiography will be on sale at the launch for KSH 4,500/=.

January 20, 2017 at 3:36 pm Leave a comment

Cinema Japan: The Girl Who Leapt through Time, Jan. 28 2017 @ The Japan Information & Culture Centre

the-girl-who-leapt
Date: January 28, 2017
Venue: The Japan Information & Culture Centre, Embassy of Japan, Mara Road, Upper Hill
Time: 2 pm
Entry: Free but registration required via email [jinfocul@nb.mofa.go.jp] or through a phone call [020-2898510]

Synopsis
Makoto Konno has two close friends who are both boys in her class. One of them is Kosuke Tsuda, her childhood friend and the other is Chiaki Mamiya. It’s far better for Makoto to play threesome ball game with them after school rather than to play with girls from her class. It isn’t like they are dating each other or going steady. Their relationship is very casual and easy going. This is a time to spend a compassionate moment reserved for them. Because soon, they must decide their course of future before they become senior in their high school.

But change comes to their relationship. Makoto gained the gift to slip back into time and retrace her steps because of certain turn of events. But once she learns the way to make use of the ability, she exerts it to satisfy her day-to-day desire and discontent of everyday life with no hesitation.

January 20, 2017 at 3:35 pm Leave a comment

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