Posts tagged ‘Ethiopia’
The exhibition features 25 artists from 6 countries: Kenya, Tanzania, Uganda, Sudan, Rwanda and Ethiopia.
Artists Showing: Dawit Abebe. Cloudy Chatanda, Eltayeb Dawelbait, Kebreab Demeke, Salah Elmur, Tamrat Gezagegn, Wanja Kimani, Ehoodi Kichapi, Otieno Kota, Mbuthia Maina, Vita Malulu, Sidney Mang’ong’o, Henry Mzili Mujunga, Patrick Mulondo, Ulindula Mwakisopile, Ian Mwesiga, Paul Ndema, Eria ‘Sane’ Nsubuga, Michael Soi, Ephrem Solomon, Nadir Tharani and John Taouss Tuyisabe.
All works for this exhibition were carefully selected by Circle’s curator, Danda Jaroljmek with support from Circle Art Agency’s wide-reaching network including: 32º East, Kampala; Nafasi Art Space, Dar es Salaam; Wanja Kimani and Karen Obling in Addis Ababa and Salah Elmur in Khartoum.
For More info visit http://www.circleartagency.com/exhibitions/
2nd Nairobi Cultural Festival: Different Colours One People – Visit Emb. Of Mexico Stand, May 10 2014 @ National Museum
This will be the Second Nairobi Cultural Festival in which the following countries alongside Mexico will showcase their cultural expressions and sell typical food and drinks: Switzerland, Germany, Finland, Mexico, Indonesia, Thailand, Philippines, Japan, Botswana, Ethiopia, Somalia and Kenya.
There will also be a Children’s Corner, where for a small fee kids can have tattoos and face painting done, do their own paintings and play under supervision.
Date: Saturday May 10, 2014
Venue: National Museum Grounds
The event starts at 10 am and goes up to 5 pm.
Entrance is free.
Day of Cultural Expression is organised by the Research Institute of Swahili Studies of Eastern Africa (RISSEA) that is part of the National Museums of Kenya.
Exhibition Dates: Monday to Friday, December 16-20 2013, January 2-10 2014,
Time: 1 to 6 pm
Témoin/Witness is an exhibition initiated by the Goethe- Institut South Africa and curator Simon Njami; co-curated by Sammy Baloji and Monique Pelser. It showcases the works of photographers who were involved in a Photographers’ Portfolio Meeting over a span of three years. The aim was to present their work within the portfolio reviews to several curators to gain critical feedback. The photographers included Sammy Baloji (DRC), Calvin Dondo (Zimbabwe), Sabelo Mlangeni (South Africa), Abraham Oghobase (Nigeria), Monique Pelser (South Africa) and Michael Tsegaye (Ethiopia).
The exhibition speaks about the social issues, ever-changing past and present and inherited cultures across the African continent. It represents how this group of emerging photographers perform the role of onlookers, and actively survey their immedate environments. The works then become historical records and evidence reflecting the constantly shifting history, inherit cultures and social issues that span across the African continent.
About the Photographers
Sammy Baloji, born 1978 in Lubumbashi, D.R.C, lives and works in Lubumbashi and Brussels, Belgium.
“My work questions the still existing traces of colonization in Congolese society. In this approach, it expresses a desire to inform and rewrite a story from the present. A present aware of his past and ready to assume the future. My photographic work is between documentary and fiction. In this sense I need a context (the environment) to create my own story. To do this, I did some research on topics or events of the past and even on the present. I’m using pictures archives or even sound archives to create a new statement.”
Calvin Dondo, born 1963 in Harare, lives and works in Harare, Zimbabwe.
“I believe our work as an artist is to open doors, shed light and give new possibilities to, first, our immediate environment, and then, the world at large. Our visual statements provoke and shift societies understanding of the world. Whatever work I do I feel I am responsible to everyone around me.”
Sabelo Mlangeni, born 1980 in Driefontein, lives and works in Johannesburg, South Africa.
“My work challenges a viewer, like in this body of work ‘Country Girls’. In our society we are taught that a man should present himself in a certain way, seeing a man in a dress shifts the way we think and are taught to think. It is political and confronts issues of homophobia.”
Abraham Oghobase, born 1979 in Lagos, lives and works in Lagos, Nigeria.
“The social, political and economic situation of society plays a pivotal role in my work. I am interested in using photography to explore the way people live and how they are affected by the different systems that exist, and how conditions evolve to meet or take advantage of certain needs. For example, with this series ‘Jam I’ explore how rural-urban drift, among other things, has led to inflated rents in Lagos and congested living spaces. My exploration of identity through self-portraiture in Nigeria and abroad, for example, is often a function of how I am perceived as a photographer, an artist, a black male, a Nigerian, and so on, which in turn is based on social and cultural points of view that have their roots in history.”
Monique Pelser, born 1976 in Johannesburg, lives and works in Cape Town, South Africa.
“I try to use the camera and developing photographic technology as a way of re-looking at my country, the land, people and the objects or traces which were left behind and have become a historical burden. I feel that my generation and those that follow have inherited a lot to process. I try to use photography as dissonance, as a way to re-look and represent and process this history.”
Michael Tsegaye, born 1975 in Addis Ababa, lives and works in Addis Ababa, Ethiopia.
“In the past ten years, the city in which I live, Addis Ababa, and the rest of Ethiopia has gone through tremendous changes – both demographically as well as physically – with the construction of new buildings and the demolition of the old ones. The changes that modernity has brought about in the rural areas are also quite significant, as old cultural practices adopt certain aspects of new ones.”
Painting & engraving exhibition by Ermias Ekube
Opening: February 5, 2013 at 6.30 pm
Venue: Alliance Ground Floor Gallery
Exhibition Dates: Until February 25, 2013
In breath of consciousness II, Ermias Ekube presents a series of paintings and engravings that mainly focus on women and children.
Ermias Ekube powerful portraits are really striking. His topics, weather painted or engraved, are dynamic and filled with emotion.
Ermias Ekube is a respected artist born and brought up in Ethiopia with Eritrean Nationality. Ekube is a painter, engraver, sculptor and poet. He has studies four years at Addis Ababa college of Fine Arts and Design [DFA in 1990].
Since 1991 he participated in several group exhibitions and exhibited about 20 solo exhibitions in Eriteria, Ethiopia, Djiibuti, Tanzania, Swaziland, Norway, England, Denmark and Italia.
Ermias is now living in Nairobi and currently working on his art at the Kuona Trust.
Festival Dates: December 9 -16, 2012
Events Line Up: Public Lectures, Writers in conversation, Readings, Performances, Art Exhibitions, Film Screenings
Venues: various venues – Kifaru Gardens, Kwani? Garden, National Museum,
University of Nairobi, Goethe Institut, Kuona Trust, Habesha, Kibera, KICC Helipad, Eastleigh, South B [map below]
Update: All the events scheduled to take place at University of Nairobi have been moved to the National Museum
Focus: Stories of the Horn of Africa with participating Countries – Somalia, Djibouti, Ethiopia, Eritrea, Egypt, Ghana, Nigeria, Sudan & Kenya
Some of the writers confirmed for the festival are: Hadraawi – Somalia, Warsan Shire – Somalia, Sayadin Hersi – Somalia, Awes Osman – Somalia, Said Juma Hussein – Somalia, Chehem Watta – Djibouti, Meaza Worku – Ethiopia, Jamal Mahjoub – Sudan, Alemseged Tesfai – Eritrea, Nawal El Saadawi – Egypt, Kojo Laing – Ghana, Helon Habila – Nigeria, Deqa Abshir – Somalia/Kenya, Fawaz El Said – Sudan, Yassir Ali – Sudan, Altayeb Daw Elbeit – Sudan, Ermais Ekube – Ethiopia
A Snap Shot of the Programme
Date: December 9, 2012
Venue: Kifaru Gardens
Time: 2-10 pm
Music by: Waayaha Cusub and Kato& Band
DJ Set by: DJ Zelalem
Date: December 10, 2012
Venue: Goethe-Institut Nairobi, Monrovia Street
Time: 2.30 – 8 pm
Date: December 11, 2012
University of Nairobi National Museum
Time: 2– 7 pm
Date: December 12, 2012
Venue: Louis Leakey Auditorium, National Museum
Time: 2.30-8 pm
Date: December 13, 2012
Venues: Hotel Intercontinental,
Taifa Hall (University of Nairobi) & Louis Leakey Auditorium, National Museum
Time: 2.30– 7.30 pm
Date: December 14, 2012
Venues: Louis Leakey Auditorium (National Museum) & Kuona Trust
Date: December 15, 2012
Venues: Louis Leakey Auditorium (National Museum) & KICC Helipad
Entry: Free (National Museum)
Entry: Ksh 1,000 (KICC Helipad)
The Kwani? Literary Festival is organised by Kwani Trust on a biennial basis where the literary leaders of Kenya, enriched with visiting writers from around the world, turn their attention to one salient subject and explore it through the lenses of the continent’s past, present and emerging literatures. In 2012, the Litfest will focus on several geopolitical trends and shifts in Kenya’s immediate north to host literary conversations with the Horn of Africa.
It thus aims to act as a platform where the story of the Horn of Africa can be told, to an extent, not taking the political crisis narrative as the only story that exists.
Additionally, the pan-African exchange programme of Goethe-Institut Moving Africa will bring a further eight African writers to Nairobi.
Born in Addis Ababa in 1985 and specialized in traditional print making, Ephrem graduated from Entoto Art school in 2009.
Common to the various types of work he engages in, is a deep commitment to the traditions of descriptive painting. He likes to focus on subject matter that defines our time: our living conditions and the cultural environment that surrounds him.
The first group of work in this exhibition includes religious themes or stories from the Bible or from the *Kebre* *Negist*, an addendum to the Bible used in the Ethiopian Orthodox Church.
The second group is made of woodcut depicting chairs which are put together as if they were interacting socially and conveying a social and political meaning. There are two readings one of peacefulness and the other a reflection on absolute power. Chairs to sit on and chairs to reign from.
In a world where newness has become a value in and for itself, we are moved by these works that provide alternative readings and provoke questions on representation, history and memory. Ultimately, they go back to a very strong tradition while embodying something that is currently relevant.